Wednesday, 30 October 2013

CAMERA ANGLES, SHOTS

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To help build up yours story stronger by using different kinds of camera techniques.

CAMERA TECHNIQUES:
  • LONG SHOT - On a person head to toe.
  • MEDIUM SHOT - Hips up on an actor
  • MEDIUM CLOSE UP - Chest up-wards
  • CLOSE UP - Shoulders up-wards
  • EXTREEM CLOSE UP - Framed onto the eyes or another object or whatever you want to focus on. You can have a extreem close up on anything you want.
DISTANCE ANGLE:
  • LOW ANGLE - Making the actor/object look bigger than you audience. Shows who has more power.
  • EXTREEM LOW ANGLE - Has the audience looking right up towards the bigger person. Felt small and Powerless.
  • HIGH ANGLE - The camera higher than the actor/object to make the audience seem more powerful and the actor look powerless. 
  • BIRDS EYE VIEW - Have fully control as your able to see everything (GOD's VIEW)
ANGLE:
  • DUTCH ANGLE - When camera isn't level straight. Giving a feeling something is wrong. Great way to put an odd feeling onto the audience. 
HOW YOU MOVE THE CAMERA:
  • PAN - When you turn the camera left and right on the TRI-POD.
  • TILT - Moving it up or down staying in the same position. 
  • DOLLY - When camera is locked down, moving camera to zoom in or out.
  • CRANE - Is when its lowered or lifted.
  • HAND HELD - Operated on a man/women holding or running feeling as if the audience feeling the tension, someone's point of view.
SHOOTING FOR EMOTION:

Your camera is the eyes on the audience, having complete control over.
  • CLOSE UP - More interment shot with character. Feel connected with them.
  • WIDE SHOT - Feel more disconnected.
  • Foragram Object - Visually insinuate that the character is hiding something or they are trapped. They have no where to go.
  • LONG SHOT - Make character seem more lonely, empty space!
  • VOCAL LENCE - How zoomed in or out the camera is. If you use a longer lence the background will seem more closer to the character.
  • DOLLY IN OR OUT - Moving to see whats beside the character. 

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