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To help build up yours story stronger by using different kinds of camera techniques.
CAMERA TECHNIQUES:
- LONG SHOT - On a person head to toe.
- MEDIUM SHOT - Hips up on an actor
- MEDIUM CLOSE UP - Chest up-wards
- CLOSE UP - Shoulders up-wards
- EXTREEM CLOSE UP - Framed onto the eyes or another object or whatever you want to focus on. You can have a extreem close up on anything you want.
DISTANCE ANGLE:
- LOW ANGLE - Making the actor/object look bigger than you audience. Shows who has more power.
- EXTREEM LOW ANGLE - Has the audience looking right up towards the bigger person. Felt small and Powerless.
- HIGH ANGLE - The camera higher than the actor/object to make the audience seem more powerful and the actor look powerless.
- BIRDS EYE VIEW - Have fully control as your able to see everything (GOD's VIEW)
ANGLE:
- DUTCH ANGLE - When camera isn't level straight. Giving a feeling something is wrong. Great way to put an odd feeling onto the audience.
HOW YOU MOVE THE CAMERA:
- PAN - When you turn the camera left and right on the TRI-POD.
- TILT - Moving it up or down staying in the same position.
- DOLLY - When camera is locked down, moving camera to zoom in or out.
- CRANE - Is when its lowered or lifted.
- HAND HELD - Operated on a man/women holding or running feeling as if the audience feeling the tension, someone's point of view.
SHOOTING FOR EMOTION:
Your camera is the eyes on the audience, having complete control over.
- CLOSE UP - More interment shot with character. Feel connected with them.
- WIDE SHOT - Feel more disconnected.
- Foragram Object - Visually insinuate that the character is hiding something or they are trapped. They have no where to go.
- LONG SHOT - Make character seem more lonely, empty space!
- VOCAL LENCE - How zoomed in or out the camera is. If you use a longer lence the background will seem more closer to the character.
- DOLLY IN OR OUT - Moving to see whats beside the character.
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